Showing posts with label analysis. Show all posts
Showing posts with label analysis. Show all posts

Saturday, July 23, 2011

Spotty Dress Construction, Part 3--The Skirt

Originally posted 27 February 2011

That was a lot more work than I expected it to be!

Anyway, the spotty ruffle is started. I think doubling the fabric was a good idea, and I think the ideas from my last post will work.

From the pictures, it seemed like the ruffles were just below knee length, so that's what I aimed for with mine. I hope I got it right! It looks so bare up top, but there's no overskirt which really affects things :)



Preparing the fabric. It's about double what I want it to be and the ends are folded in.



Then the long box pleating process. Notice how puffy they are? That must be dealt with!

I just eyeballed the pleats since theirs were obviously eyeballed as well.



So once I was sure they were reasonably straight, I smoothed them out.



And this was the result. I'll baste it where the pins are, and then put the other ruffle on top.

Once it's basted, I'll lightly press the pleats. I don't think they'll need any stitching in the middle, but they might need some sacque back like reinforcements. I don't think so though, and I really hope not! (ETA: They didn't! So much easier!)

27 February 2011

I was about to cut the flounces for the back of the skirt out. Typical bias cut flounces to be exact. Then I thought, better look at the picture first, especially as this skirt is a fabric hog and I can't afford any mistakes.

I'm glad I did. Except for that scary moment that I thought there were four ruffles--which wouldn't make sense as even numbers look weird--I think I like what I see. One, I think the flounces are on the straight, not the bias as is more common. If you notice, they're sort of just hanging there, not all nice and perky the way bias flounces tend to be. There's a heaviness to them. And also, look at the top flounce. It's smocked. Or something weird. I really like how it looks, but total whimper to doing it. (ETA: We ended up pleating these and found that gave the closest look). It looks like the sort of thing you want to do on the straight of grain though. Hooray for not cutting bias flounces! Of course, second opinions wished for :)





Here we have the top of the ruffle gathered and pinned into place.



A close up of that. It's seriously not attractive, but it gets covered by the little ruffle, so all is good. Gathering pleats out is weird to do.



Pressed pleats!



Now flashless. This fabric doesn't like to be photographed :)


3 March 2011



Preparing the ruffle. The fold is 2 1/2 inches long. The ironed fold is 2 inches deep. That's for the first line of gathering. Each line below is 3/4 inch lower.



Pinned into place.



The same, with flash.



The ruffle folded down.



The same, no flash.



Close up folded up. The gathering lines will be machine sewed down.

Spotty Dress Construction, Part 2--The Skirt

After much staring, it was time to start the skirt. Now, I have pictures of putting the skirt itself together. The construction method I used was mainly from an overskirt I own. For those of you familiar with 18c construction techniques, I used the sew outer fabric and one layer of the lining, then whipstitch the next layer of the lining to it method. However, I haven't written that part up, so I'm going to start with my analysis of the ruffle--mainly an explanation of why I did it the way I did. Then, actual ruffle construction in the next post.

Originally written on 25 February 2011.

As I'm fast approaching base skirt completion--2/3 a hem binding through the hem!--I'm considering skirt decoration. And here are my obsessive ramblings.



Here we have the pleated, gathered, puffed, up ruffle of doom and questionable tastefulness.

Now, look at the bottom of the ruffle. Especially on Marie's dress (left), you can see that at the bottom of the ruffle, the lines of the folds follow the lines of the folds on the large pleated part. It's not so much that way on top, but I have a theory to explain that away.

So, here's what I'm planning on doing. I'm going to take a piece of blue silk twice or so as wide as I need it to be. Then fold it like bias tape with the ends in towards the center. Then pleat and baste it in place. I'll start it where I want it to stop then just pleat around--no measuring!

This will be fine for the bottom--it just has to hang. But the top will flop. So, run a gathering line through it and baste it there. Sewing the pleats down would be too pleaty, which isn't an issue if they're hanging, so, a gathering line.

Next, the ruche-y bits. This is the same as the Halloween dress. Take strips the same length as the pleats and gather them as needed. Leave the top edge raw and fold the outer edge down so the edge is caught in the last row of gathers--essentially a deep hem.

Then, place it right side to right side on top of the pleats, sew it down. Flip it up, machine sew through the lines of gathering stitches, and voila! Pleats and gathers and prettiness! Oh, and questionable taste :)

The doubled silk will be very good as it is a thinnish taffeta. It's really a super pretty one though. I'm surprised how nice it looks in use.

After that, standard bias ruffles on the back. (ETA: After much staring, we later decided these ruffles were on the straight of grain. Very lucky, as we both nearly ran out of fabric) Why after that? It's easier to play with the height of those than it is to play with the height of the doom-y ruffle :)

Also, I just noticed that Marie's doom-y ruffle is taller than Alexandra's. Neat!